Sunday, 13 October 2013

The Heirs [Ep 2 - Recap]


EPISODE 2 RECAP
 
After ditching our homeless, passport-less heroine Eun-sang in the street to wait for her sister alone, Tan turns his car around and shows up at her side. They stare at each other intently, and then he offers to take her to his place.
She asks, “Is your place really safer than here?” He thinks about it and says he doesn’t know if it’s safer for her, but it IS nicer. Why did that sound like a come-on?
She decides to chance it, and her jaw drops as soon as they enter his ginormous house. He plops down on the couch and she looks around for his family, but he says he lives alone. That freaks her out more than anything, and she starts speaking in half-jondae: “W-what are you? Are you a drug dealer? A gangster, perhaps?” Ha.
He agrees just to mess with her, inching towards her with every word. I love that she grabs her backpack like a shield, but he leans in close just to point out that the door she’s leaning on leads to her room. Cheeky.
She finally gets to sit down and process the crazy that happened today, and sighs to relive her sister’s betrayal. Hunger pangs soon overtake her angst though, and she realizes she hasn’t eaten all day.
She sneaks out to the kitchen, only to find canned food and sports drinks in the fridge (Who keeps cans in the fridge?) and eats straight out of cans in the dark. That’s just sad. Tan finds her stuffing her face guiltily, and she swears she only ate stuff that was past its expiration date, and slides over a five-dollar bill to pay for her meal.
 
He asks how she lives that she eats expired food, but doesn’t get an answer. He asks her name, and only gets a, “Thanks for letting me stay here for the night.” Tan: “That’s a long name.” He says that none of this is charity—it’s repayment, since his friend stole the bean powder meant for her sister.
Meanwhile, Big Bro President Won is preparing to head to the States for a business trip, and Secretary Yoon (Chan-young’s dad) tells him that President Choi (Young-do’s dad) called to suggest he stay at one of their hotels.
Won notes that he’s already playing nice with Jeguk ever since he got engaged to RS’s president (Rachel’s mom), and that stops Secretary Yoon in his tracks. Aw, is she an old flame? Won continues to be an ass to Secretary Yoon, who’s still loyal as ever to his father and doesn’t hesitate to show it.
 
We meet Dad for the first time as he chats pleasantly with his ex-wife (the second wife with no kids). Chairman Kim is in a wheelchair, and Madam Jung tells him to stop being nice—it won’t get her to remove herself from the family registry.
He chuckles and says he has no intention of ousting her; after all, she’s the one who brought Tan’s mother into this house. She points out that it was better than the alternative, with him hiding his affair outside of the house.
Meanwhile Tan’s mother Madam Han has her ear pressed to the door trying desperately to hear what they’re saying. Won catches her red-handed, which is clearly a normal sight around here. She just rolls her eyes and announces him at the door.
 
She tells Won that his mother is here (by which she means stepmother, technically), but Won bites back that his mother is not in this house. She rolls her eyes again: “Fine. Ajumma. The ajumma who raised you is here! And this ajumma is leaving now.”
He walks into the room, and Madam Jung feels the icy non-greeting from Won. Theirs was clearly not a warm relationship, but she still feels slighted, and she points out that she did raise him for ten years. He snarks back: “I’m sorry I only amounted to this after you raised me for ten years.”
Dad has to call a cease-fire, and then tells Won that he should take Tan with him to his business meeting in LA. Won chafes at the idea, but Dad makes a point of saying that it’s not his company yet. He’s taking Little Bro, and that’s that.
 
Madam Han hilariously yanks Madam Jung aside, and despite the fact that they’re rivals, they’re surprisingly comfortable and frank with one another. Madam Han wants to know about her upcoming meeting with Rachel’s mom, saying that it’s in-law business and she should be in the know.
Madam Jung puts her in her place: “Who’s your in-law? Tan is MY son, have you forgotten that?” OH. Well that’s news to me. Also, do they have the most complicated family registry or what?
Madam Han counters that Tan sure would be happy to find out that his mother gets treated this way, while Madam Jung spits back that being called madam for a few years has made her think she’s a wife in this family. “But as long as I’m alive, you are just my husband’s mistress.” Dayum.
 
As she holds back her tears, Tan writes: “Another woman’s bags, another woman’s house, another woman’s husband… a pitiful person who spends her whole life wanting others’ things. That person is…” And his phone rings with a call from Mom.
Eun-sang finishes the thought: “Mom?” She’s calling her own, of course, and her eyes fill with tears as she lies through her teeth about unni’s beautiful house with a green lawn and how tanned she is from the California sun (Mom answers with taps on the phone’s receiver).
Tan overhears the whole conversation as he stands at the door with a sandwich, and I do love the look in his eyes every time he inadvertently catches her at her most vulnerable moments.
 
He shoves the sandwich at her and wonders about the dollar sitting on the nightstand, which she says is for the long-distance call. He says that she sure spends her money freely, and then she adds the dream catcher as payment for the room.
She tells him it wards off bad dreams and only pretty dreams are supposed to come through the holes. Tan: “Does it not bring pretty women?” He hangs it over his door with a smile, and then watches from the backyard as Eun-sang barricades her door, and then proceeds to undress in plain sight. He nearly chokes on his sandwich and runs inside in a hurry.
She wakes up in the morning to the nicest view that money can buy, and Tan watches her, taken with her smile and just suspended there. I swear, if he keeps staring that intently, I might not make it to ten weeks.
 
She finds him on his way out to school, relieved that he’s not a drug dealer after all, and jumps to get her things packed so she can be on her way. But he throws out excuse after excuse why she can’t go now—her sister’s diner doesn’t open till later, there are no buses here—and suggests she come with him to school since she mentioned always wanting to see what kind of schools people go to here.
So they drive up the coast and she warns him that she’s going to stick her hands out of the car. He lets her be embarrassing for one minute, but then smiles to see her enjoying herself.
He goes to class while she sits outside taking in the scenery, and he steals glances at her out of the window. In the first non-soul-cringingly-embarrassing English scene in this drama, the professor talks about beautiful words in the English language, and says that a survey put “mother” at the top of the list. It makes Tan pause.
 
True to slacker form though, he doesn’t turn in his essay that’s due today, despite the fact that he wrote one. The professor’s pretty zen about the whole thing, wondering if maybe he wouldn’t find more purpose if he started to turn things in. Rather wise.
He heads out and finds Eun-sang elsewhere on campus, watching a pair of Korean girls put up flyers for a party. She notes with a wisp of jealousy that she was just looking at kids who had met good parents. He assures her those parties are lame anyway.
She thanks him for everything and says her goodbye, intending to go find her sister on her own. He lets her take about two steps before insisting he’d rather ditch his next class and go with her, and she’s geeky enough to wonder why anyone would want to skip math class. What.
There’s more bad news at the diner though, because unni quit her job and skipped town. Her ex-boyfriend shows up just as upset because she took his money too, and when he starts demanding it back from Eun-sang, Tan steps in to get violent.
But the ex has two halfwit goons who start chasing them, so Eun-sang grabs Tan’s wrist and starts running. This whole scene is ridiculous, but I do love how much he’s enjoying the handholding and running.
He gets another call from Rachel that he ignores yet again, leaving her fuming in her gilded hotel room. She gets a call two seconds later and snickers thinking it’s Tan crawling back to her… but it turns out to be Mom. Ha. Spiteful, I know, but I enjoyed that.
 
Mom assumes she’s with Tan and asks what he said about her engagement to Young-do’s dad, and insists that Rachel tell him—isn’t he best friends with Young-do? Rachel: “They’re not friends.”
Back in Seoul, Young-do arrives at Dad’s hotel on his new motorcycle and goes to work in the kitchen scrubbing dishes. We hear from a pair of chefs that he’s been doing this every vacation since junior high, an order from Dad to learn the hotel business from the ground up if he’s to inherit the company someday.
He does as told, except he won’t do it with a sunny attitude, and talks back to the manager like he already owns the place. He hears that the police chief is dining here, and Young-do points out that that seems like a duty much more suited to him than washing dishes.
 
The chief prosecutor is dining with his family, and son LEE HYO-SHIN (Kang Haneul) assures dad and grandpa that he’s preparing well for his college exams. God, it’s a stifling atmosphere, with a father, grandfather, and two uncles all telling him exactly how he should be planning for his future. Thirty seconds in this room tells us that failure is not an option in the Lee family.
Young-do enters the room to introduce himself, and checks the service just as his father would, earning praise for his good manners. But the way he pours Hyo-shin’s water with a menacing undertone seems like there’s plenty of bad blood between these two. He fills the glass to the brim and says pointedly that he looked thirsty.
A few minutes later, Hyo-shin is knocking on Young-do’s door (he seems to live in the hotel, which makes sense) and asks to use his bathroom, and goes straight to the toilet to throw up his lunch. Huh.
 
They’re not friendly, but they’re on pretty close (and antagonistic) terms, given that Young-do knows about the upchucking habit. He calls Hyo-shin “sunbae,” but talks down to him, and wonders why he came all the way up here to lose his lunch. Hyo-shin says that it’s better than running into his father in the bathroom.
Young-do thinks it weird that Hyo-shin would show him any weakness, while Hyo-shin counters that Young-do has shown more faults than he has. I… can’t tell what the hell is with you two, but I kinda like that I can’t tell.
Back in LA, Tan continues to ignore his phone while Eun-sang buys coffee. She moons over drinking her americano in America, needing at least one happy memory of being here. Tan balks at that, and asks if she really doesn’t have a single good memory.
He pauses expectantly for her to think of them, but when she changes the subject, he actually gets pissy with her. Hee.
She sees a group of friends taking pictures together, and it triggers an idea for how she’ll get back home. (I suppose I should’ve guessed that her sister stole her plane ticket money too, but who buys one-way tickets?) She messages her buddy Chan-young online, since she doesn’t have his phone number memorized.
Tan peers at the message and wonders if it’s her boyfriend, and she says he’s a “boy” and “friend.” He doesn’t see how she intends to get this guy’s help when she doesn’t even know where he is, and she cries defensively, “He’s in my heart!” Hahaha. He’s so jealous.
He drops her off at home with his keys while he takes the cab back to pick up his car, and on the way he starts snooping into her online life because she left the account open on his phone. That’s when he finally learns her name, and sees the kinds of messages she posts.
Among them are: “I wish Freddy and Jason would make up,” and “I don’t wanna go to work today. On a rainy day in spring, I should be watching Texas Chainsaw Massacre.” Ha.
He finds what he’s looking for—pictures of Chan-young—and there’s a hilarious split screen where he imagines them conversing and interjects annoyed asides. It’s priceless. But one post leaves him wide-eyed: “I hate it that Mom is having a hard time. Down with Jeguk Group.” The cop finds him and hands off Eun-sang’s passport.
 
Back in Seoul, Bo-na pouts at all her unanswered calls to boyfriend Chan-young, wondering if he’s already found a pretty American girl to date. Young-do watches her hysterics and flirts that she’s pretty when she’s clinging, which rankles his buddy who’s obviously sweet on her. I get the sense that Young-do purposely says the most hackle-raising thing he can think of in any situation, just for shits and giggles.
This time Chan-young finally answers her call, and she asks why he hasn’t commented on the selca she posted online. He says he turned all that off because he couldn’t study, but he checks on her insistence, and that’s when he sees Eun-sang’s message.
Eun-sang packs her bag and heads up the stairs to leave… where she runs into Rachel, just arriving. Gah. They recognize each other from the airport, but Rachel’s more interested to know who the hell she is and why she’s at her fiancé’s house.
 
Eun-sang thinks that’s weird—the owner of this house is in high school. Rachel says they were engaged at seventeen, and that still doesn’t explain what she’s doing here. It only gets worse when she learns that Eun-sang spent the night, and turns her bitch dial up to ten as she kicks her suitcase down the stairs and then orders her to open it so she can make sure she didn’t steal anything. Good lord.
Eun-sang suffers the indignity of opening up her bag to prove that she’s not a thief, and Rachel spills the contents out just to be extra obnoxious. She tells her to clean up her trash, and Eun-sang is left holding back her tears. She sits outside at a park with her bag, with nowhere to go.
Bo-na paces back and forth, wondering why there’s still no response to her selca after two hours. She’s hilarious. Young-do tells her to dump him and date his buddy Myung-soo instead, and she calls him crazy three times, deflating poor Myung-soo.
 
Young-do is all jokes until the mention of Tan, when Myung-soo says that Rachel went all the way to LA to see him. Bo-na seems to be on Young-do’s side of whatever this feud is, because she tells Myung-soo that she hates hearing Kim Tan’s name.
Eun-sang goes to book a ticket back to Seoul, but finds that she’s short on cash, as expected. She asks to reserve it anyway, but then realizes that she still doesn’t have her passport.
Tan comes back home and asks where Eun-sang went, and Rachel points out that it’s been half a year since they’ve seen each other, but that’s all he’s got to say? So then he tosses in a half-assed, “You’ve gotten prettier.”
 
He sighs to hear that she told Eun-sang that they were engaged, and when she asks why he didn’t come to the airport to greet her, he doesn’t even bother to open his eyes as he gives the excuses that it was too far and too hot. She asks point-blank why he agreed to this engagement in the first place, and he says matter-of-factly: “So that I don’t have to marry you later.” Ouch. Also, do you people do everything backwards?
Eun-sang rings the doorbell, and Tan yells at her for leaving without a word. She’s just here for the cop’s card so she can get her passport back, but before Tan can tell her that he has it, Rachel says she threw it out in the trash.
Eun-sang races to the trash bins, and Tan tells Rachel to butt out. She heads down to grab her purse when she hears Tan’s phone go off, and reads the message from Chan-young with his phone number. I want to point out to her that deleting that would just give Eun-sang more reason to lean on Tan for help, but I think self-foot-shooting is her style.
 
Tan comes out to find Eun-sang digging through the trash, and asks if she’s crying. She says she’s been trying not to cry, but no matter how hard she tries to escape her life, here she is, next to the trash all over again. She cries that there’s no twist to her story.
He apologizes and hands her the passport, when suddenly two NEW thugs show up looking for him. What in the what? Why does this keep happening?
There’s literally no explanation, since the only point is to give them another reason to hold hands and run. So they hold hands and run. (I’m sorry, did you just run from Malibu to Hollywood? Pwahaha.)
They duck into a movie theater to hide, and Eun-sang gets lost in the movie, but doesn’t understand the dialogue. Tan starts translating for her: “She says, ‘If I’m going to trust you, I need to know who you are.’”
And then he starts making up his own lines: “She says she met someone yesterday. Her name was Cha Eun-sang.” Eun-sang wonders how he found out her name.
Tan: “But now there’s something she’s curious about… Do I… maybe… like you?”


Credits: Dramabeans.com

The Heirs [Ep 1 - Recap]


EPISODE 1 RECAP
 
Southern California coastline. Our hero surfs the day away with his buddies, laughing it up and looking light-hearted. And then… a broody shower scene on the beach. HAHA. I dunno whatchoo got to be so angsty about, uber-rich teenager hero-manchild, but the music and mood tells us he is Very Serious On the Inside about something.
May as well introduce him off the bat: This is 18-year-old KIM TAN (pronounced tahn and not, say, like the English word tan. He’s played by Lee Min-ho, but you either knew that already or this is your first drama ever).
 
His narration tells us of the parting words with which his older brother sent him abroad to the States, so blunt and succinct: No need to get good grades, just have fun and live lightly. “People with money just eat and play—they don’t bother with dreams,” he’d said. “If possible, don’t even come back.”
And thus Tan realized that his study abroad was more like exile, and that his cold older brother was staking his claim on what he thought Tan might steal from him. Hyung’s name is KIM WON (Choi Jin-hyuk), and at 31 he’s the president of Jeguk (Empire) Group. Their father is the Jeguk chairman and Tan its future heir. But while there’s no literal throne at stake here, royalty seems an apt metaphor: There’s only one crown in this family, and Big Bro’s gonna wear it.
 
Tan sits at a cafe and is served by a waitress who speaks to him in Korean. (Why hello there, Yoon Jin-seo, what are you doing in Heirs?) Overacting American Friend asks how Tan feels about his family relationships, or rather his lack of them. Doesn’t it sting that nobody’s on his side? Tan just looks around idly and thinks, “I’m too lazy to hate anyone.”
Next we meet CHOI YOUNG-DO (Kim Woo-bin), hotel heir and Big Man on Campus back in Seoul. He bullies a hapless fellow student with a baseball while his lackeys snicker. Aw, why you gotta be an asshole, Woo-bin-ah? His good cheer makes his actions all the more chilling, because everything is laced with underlying menace.
 
But more than being hit by the ball or mocked, the sense of terror comes from Young-do’s icy reminder that no matter what the victim does, his fate is sealed: His life will continue to be this way forever, and one day these bullies will be his employers.
Young-do gives the guy props for standing up to him, then leaves with a pleasant “See ya after vacation.” Behind him, his sidekicks start the beating.
 
Young-do drops by a motorcycle shop, where our heroine drops in to deliver a food order. She’s CHA EUN-SANG (Park Shin-hye), a no-nonsense high school student who won’t take crap from anyone (yay for that), calling the cops right away when a couple of the shop ajusshis harass her for a date. The ajusshi hastily backs the hell off, and she marches out to make her next delivery. She catches Young-do’s eye, at least for a moment.
As though we weren’t sure she were a poor Candy girl, she’s got a whole string of part-time jobs. Her friend drops by the cafe where she works; he’s YOON CHAN-YOUNG (Kang Min-hyuk), a platonic childhood buddy who has a girlfriend and encourages Eun-sang to find herself a boyfriend. She scoffs that any time spent not earning money is a waste. Chan-young eyes her with pity, though I’d say Eun-sang has no use for his pity. I do like that about her.
 
Then, a shrill voice orders Chan-young to look elsewhere—ha, this is the girlfriend, and right away we can tell she’s the high-maintenance type. Her name’s LEE BO-NA (Krystal), she’s an heir (to Mega Entertainment), and she shoots Eun-sang a glare, ordering her to stop flirting with her boyfriend.
Eun-sang is used to Bo-na’s possessive nature and has perfected the way to disarm her fuse with wry nonpliments about how Bo-na’s plenty pretty and how Eun-sang is too busy for this. I get the sense that Bo-na knows she’s being mocked but isn’t quite smart enough to figure out how (it’s all in the tone). Haha. I’m liking Eun-sang more and more.
Bo-na drags Chan-young away, griping about how much she hates Eun-sang. He assures her that they’re buddies, and Bo-na snaps that guys and girls can’t be “just friends.”
 
Eun-sang launches into her own set of complaints about Bo-na on the phone, although her rant goes unheard by her unni. On the other end of the line, unni is having a fight with her boyfriend in English—ah, this is Yoon Jin-seo. Ignoring the terrrrible English (cringe cringe), unni calls the guy trash. The guy slaps her in the face and says, and I quote, “Bitch get out of my house.”
On her way home, Eun-sang gets caught in the rain and pauses under an awning, where the dreamcatchers in the storefront catch her eye and bring a smile to her face.
Chan-young is on good terms with his father, as we witness as they cook dinner together and chat about his upcoming plans to move to the States. Bo-na insists on following him there, but he hasn’t had a chance to tell Eun-sang yet, with her up to her neck in part-time jobs. As for Eun-sang’s mother, well, Dad refers to her as “the center of power for Jeguk Group”…
 
…in the sense that she is the Jeguk family housekeeper. She’s also mute, writing her responses on a notepad she carries with her. Mom is warned that the madam of the house is emotional tonight, given that her son (Tan) is ignoring her calls.
Madam Han is on rather rocky terms with stepson Won; when told he has arrived, she downs her wine before he can see her—for whatever reason, she’s not allowed to drink. Hm, so she’s the lady of the house but Won has power over her. That’s interesting, and rather sageuk-like.
Mom scrambles to hide the wineglass for her employer when Won appears. He barely spares a glance for his stepmother as he coldly orders his room cleaned again. Madam Han orders a replacement wine bottle sent to her room, forgoing dinner: “If I were able to swallow any food after suffering this indignity, I’d be a concubine.” So perhaps the sageuk allusions are intentional, then.
Mom wraps up the mistress’s dinner to take home to Eun-sang, telling her that eating and surviving is the most important thing so she should just take it without complaints. Eun-sang says with a bite to her voice, “Is it my fault we live like this?” Is that resentment I hear?
Eun-sang stomps to her tiny room and tearfully blames her sister for leaving them to live in comfort on her own (she’s supposedly going to college in California, though I have my doubts). Then Mom gives her a bankbook to send a large chunk of funds to America—unni is getting married.
Eun-sang is awash in curiosity over her sister’s impending marriage, while Mom is content to stay out of it. She won’t go to the States for the wedding lest they dampen unni’s image, either. Eun-sang says defiantly that they’re not blots on unni’s character, and a slip of the tongue reveals that Eun-sang carries resentment for her sister running away from home. Ah, the subtext is that Eun-sang was left behind in poverty while unni skipped off into the sunset. So rather than wiring that money overseas, Eun-sang says she’ll deliver it in person.
 
Marriage is also the issue for another of our rich folks, YOO RACHEL (Kim Ji-won), heir to RS International, whose mother announces that she’ll be getting remarried. Rachel balks but Mom breezily tells her to prepare to meet her new daddy.
Rachel is dragged along to lunch, as is the son of her stepfather-to-be, whom we’ve already met as the bullying badass Young-do. Both teenagers sulk in silence while their parents chat pleasantly, occasionally letting out a scoff or sneer. And then Young-do brings the conversation to a screeching halt with the comment, “My sister is exactly my style.” Ha. Oh no you di’n't.
 
Young-do’s rudeness earns him a slap to the face (now we see where he got his violent streak) and he leaves the room. Rachel follows him out, though it’s not out of any warm and fuzzy feelings, as she informs Young-do that she’s as opposed to their parents marrying as he is. However, she notes that he probably hates it more, since she is engaged to Kim Tan. And if both weddings happen as planned, then Tan becomes Young-do’s bro-in-law. Aw, is that too much ego for one family?
She think she’s got him all sized up, but Young-do surprises her: “I never said I hated this marriage.” He calls marriage in their class a business merger and points out that her mother holds a number of shares in Jeguk Group: “Who will end up with those?” His words cast a shadow over her face—does he have a point?
 
Eun-sang works yet another job scrubbing dishes, a Sisyphean task that comes close to cracking her composure today. When her boss asks about her school vacation plans, she answers frankly that she’s going to the States and doesn’t plan to return: “Unni getting married means she doesn’t intend to return to Korea, and that means I’m stuck forever washing dishes and living with my mother.” Leaving is an escape plan she’s been dreaming of for the past ten years.
She packs her things, putting away some blank notebooks for Mom’s use. Eun-sang flips through one of the used ones on the shelf, and the messages weigh down her heart—it’s all stuff like “I’m sorry madam” and “Please don’t be angry, madam.” She cries silently while flipping through the pages, and writes a message in a fresh book: “I’m sorry, Mom. I’ll make something of myself and send for you. Wait just a little.”
Rachel plans a trip to California to see Tan, and while packing she and her mother bicker back and forth some more about Mom’s marriage. Basically her mother offers to cut her free (read: cut her off from her inheritance), and that gets Rachel to back down from her teenage rebelliousness.
Back in his beachfront estate, Tan ignores his calls from Rachel while narrating to us that at first, he’d thought of using his exile to rebel against his brother. But ultimately he ended up taking his advice and living easily, not thinking about too much.
 
Tan tells Overacting Surfer Bro-Dude that it’s his engagement anniversary, and the exceedingly uncomfortable English conversation at least provides us with one winner. Friend: “You look like none of that is a good thing.” Tan: “No, I always look this good.” (God, these California scenes make me cringe down to my soul. I’ll be so glad when they go back to Seoul.)
Eun-sang lands at LAX with a bit of wide-eyed little-girl-in-the-big-city nervousness. She clutches a page of carefully written notes as she makes her way outside, where she spots Rachel curbside answering a call in Korean. Rachel’s obviously lying (about Tan coming to pick her up and complimenting her about getting prettier), and Eun-sang smiles a bit to herself.
Rachel gets offended and calls her out on it, and after a failed attempted to pretend to be Japanese, Eun-sang apologizes. It wasn’t a mocking smile, though, she assures her—rather, she felt a sense of solidarity for not being the only one to land without a welcoming presence. That just rubs it in more for Rachel, whose mood darkens further.
More surfing. Eun-sang arrives on the pier and notices Tan briefly before continuing on her way. But when she arrives at the address, she’s puzzled at the rundown house and sketchy neighborhood. A sleazy duo answer the door, and Eun-sang fumbles for her English phrasebook. The guy hazards a guess and says her name—must’ve heard it from her sister at some point.
 
Eun-sang is let in and looks aghast at the frankly disgusting house. The floozy stomps out in a huff and Eun-sang asks the guy about her sister Stella. He laughs at the idea of them getting married and says unni doesn’t go to school, and Eun-sang demands to know where she is.
Tan turns down his friends’ invitation to party hardy, choosing instead to get introspective over his journal at his usual cafe. (“It’s when I’m writing that I think about the fact that I am thinking.”) It’s where Stella unni works, and she chats briefly with him before leaving him to write about how writing makes him think the thoughts that his brother told him not to think. Yeah, it’s all a bit meta, but everybody needs their phase of angsty adolescent journaling, right?
Back at Jeguk Group, Won heads a board meeting where he receives bad news about lower than expected sales for their premium shopping malls. In a nutshell, this scene tells us: (1) President Hyung is a hardass, (2) President Hyung has a tense relationship with Chairman Dad, who technically runs the company though he doesn’t come to work on a daily basis. Not that he needs to—he has eyes and ears in the company reporting to him, behind Won’s back. Hence the tension. Oh, and (3) Chan-young’s friendly dad is one of the board members and looks to be aligned with Chairman Kim, rather than Won.
Back on the beach, Tan looks up and notices Eun-sang on the boardwalk with her suitcase, looking out of place. She spots her sister inside the cafe as unni manages customer leers and accepts their tips. Gahhhh, this ain’t no strip club people. I know this is a Korean drama and not an American one, but aughhhh.
 
Tan clocks Eun-sang’s upset reaction as Stella flirts with another customer (who asks her to “work for me tonight, you know, work”). He stares at her intently, so intently that it’s actually rather moving, and that’s how Stella finally notices her sister standing there.
The sisters face off on the boardwalk and Eun-sang confronts unni with all the made-up stories of a good school and wonderful fiancé. Unni looks abashed to be caught in her lies, but that doesn’t stop her from opening up her sister’s suitcase right then and there to look for the money.
Eun-sang bursts out that unni was her last hope in this goddamned miserable world, and that she was just hanging in there with mom waiting for her to come back. Unni says sorry, but asks for a pass this time and goes rummaging for that cash.
 
Eun-sang warns her sister not to dare touch that cash, the money Mom worked so hard to collect, but unni wrests it away and tells her to hurry home. Eun-sang cries after her not to leave, but unni grabs the money and dashes. So Eun-sang is left sobbing over her suitcase crying for her sister to wait for her, and Tan watches sympathetically.
Cringeworthy Surfer Friend pops by to lure Tan away to a party (please make him stop talking, won’t somebody make him stop?). This is when I mute my screen and read the Korean subtitles, because goddamn is this bad. Surfer Brah sees Eun-sang crying and jumps to play wingman, helping her with her things. He calls her a fallen angel and fawns over her, then grabs one of her plastic bags from the suitcase and starts running. Wait, does he think those are drugs? Ha, I do enjoy Eun-sang’s reaction: “On top of everything else, am I being robbed?!”
 
She chases him onto the beach while he giggles and runs around like a little fiendish Rumplestiltskin, until he runs face-first into a volleyball net and goes down. You twat. Eun-sang tries to grab the plastic bag out of his hands, because it’s a grain powder her mother made for her sister, and the powder goes flying everywhere. And up Surfer Dude’s nose, from the looks of it, as he begins to gag and gurgle.
Tan rushes to his side and recognizes that his buddy’s in trouble. A trip to the emergency room assures them that he’ll be fine, despite his allergic reaction to the beans in the powder. Annoyed, Tan asks what the heck she was doing carrying around that powder, and Eun-sang gets indignant—she was the one robbed.
He stalks off in annoyance, leaving Eun-sang to confront a disapproving-looking cop on her own. In her broken English she tries to explain what her grain powder is, but the cop gives her the hardline—where does she live, are they drugs, is she underage, is she illegal? Ah, so many hot-button American political issues, boiled down into an embarrassing cliche soup of a character.
 
Then Tan comes strolling up and slings an arm around her shoulder, telling the cop she’s cool, she’s just his girlfriend. And of course Tan is on a first-name basis with the officer, who knows enough of Tan’s checkered history to say that they’ll definitely have to look into it with Tan involved. He confiscates Eun-sang’s passport to hold until they’ve investigated.
Of course Eun-sang doesn’t have a place to stay and no cell phone, though she considers calling her sister. Tan points out that it’s not likely that’ll happen given their huge blowup, and she asks for a ride and his phone, offering to pay for every imposition. He points out her money fixation: “Are you rich?” She mumbles, “It’s because I’m afraid you’ll leave.” Aw, that’s not the answer he was expecting, from his expression.
 
He drives her to unni’s ramshackle house and waits while she knocks on the door. No answer. She supposes she can wait here till unni shows, and he points out exasperatedly how very naive that is. Fine, do as she wants, he says, and drives off.
Eun-sang huddles on the stoop as a group of rowdy guys spot her and make a few catcalls before thankfully moving on. She decides she can’t stay here and starts to walk off nervously… and Tan’s car comes screeching back. YOU BIG SOFTIE.
“Want to go to my house?” he asks.
 

Credits: Dramabeans.com